Tag: Poetry

Pauses in poetry

Rhythmic pauses in poetry

The caesura.
plural caesurae.
It can be used in poetry and prose.
This literary device involves creating a break of a breath within a line where the two separate parts are distinguishable from one another yet intrinsically linked together. The purpose of using a caesura is to create a dramatic pause, which has a strong impact. The pause helps to add an emotional, or theatrical touch to the line and conveys a depth of sentiment in a short phrase.

Everyone speaks, and everyone breathes while speaking. For instance, when you say, “Josh has done his assignment,” you take breath or make a pause before further saying, “But Gideon did not.” Then again you take a little breath and say, “He ran out of ink.” Such pauses come from the natural rhythm of your speech.

Poetry also uses pauses in its lines. It uses them to indicate how a piece should be read, to help rhythm and speed and sense.
A comma, semi colon, full stop, dash, double space ellipse or exclamation mark often in the middle of a line would indicate a caesura.
In metrical poetry the caesura can be used as unstressed syllable.
Even if a caesura is not marked by punctuation poets use the natural breaths and intonations of speech to get the rhythm right. Word choice is extremely important to get the intonation right to speed and slow reading, to heighten, reduce emotion.

How we speak using caesura

Caesura on the whole are not big pauses you are not going to pause for 3 seconds just slightly longer than normal speech transmission.
Like everything in speech caesura come in various degrees longer or shorter. Sometimes a caesura happens as we length the syllables in one word as we speak.

If we look at the lines
‘Death, only death, can break the lasting chains ‘

we say the first death sharply and crisply then the second as deathhh. Say it out loud try it.

Examples of caesura

In the children’s verse, ‘Sing a Song of Sixpence,’ the caesura occurs in the middle of each line:
‘Sing a song of sixpence, ll a pocket full of rye.’
This caesura this pause would remain even without the coma its a natutal space to breathe.

In this piece no visable caesura but some occur naturally through word choice and speech patterns.

‘Do you wonder ll at the why of life

Heed the truth ll kick the doubt.’

Sometimes Caesura occur near the beginning of a line, for emphasis not at a place we would normally pause for breath unless our speech was dramatic or we wanted our listener to really tune in.

For example, in the first line of Elizabeth Barrett Browning’s ‘Mother and Poet’, the caesura occurs after the very first word of the poem:
‘Dead ! ll One of them shot by the sea in the east’

Sometimes poets use more than caesura in a line as in
Shakespeares Hamlet.
‘To be, ll or not to be — ll that is the question…’
Here there is a short pause with the coma but a longer more dramatic pause on the dash.

Sometimes near the end of a line.
‘Then there’s a pair of us — ll don’t tell!’

This stanza from John Ashbery’s poem “Our Youth” gives a more modern example of caesura using three different types of punctuation: ellipsis in the first two lines, a period in the third, and finally a comma in the fourth.
Blue hampers . . . || Explosions,
Ice . . . || The ridiculous
Vases of porphyry. || All that our youth
Can’t use, || that it was created for.

How we mark caesura in scansion
If we are analysing poetry we mark a caesura with ll called a double pipe.

Why use caesurae

Writers use caesurae to create variation in the rhythm of a poem, or to emphasize words in the middle of lines that might not otherwise receive attention. Since line breaks in poetry tend to serve as a natural pause regardless of whether the lines are end-stopped with punctuation, the rhythm of poems with lines of equal length can become somewhat monotonous and unvaried without the use of caesurae to create pauses in the middle of lines. The use of caesurae also allows writers to formulate their thoughts and images using more complex sentence structures with different clauses and a freer use of punctuation than is possible without the use of caesurae.
Check out caesurae in poetry and see how they work.
There are technical names for the different types of caesura you can look them up but to me it is important you understand the idea and ways to use pauses in lines. Technical terminology is not important.

Samantha Beardon.

Caught in Passion Free Download

Caught in Passion

My first book of poetry and quotes written at the beginning of my poetry journey is on promotion.
Caught in Passion is on promotion and is free on Amazom Kindle from 27th to 29th July.
It is a collection based on friendship, romance, love and desire.

https://amazon.co.uk/gp/product/B01B9S1Y92

Jeffrey Boyer Review of Caught in Passion.
Insight and truth are considered the domain of philosophers, psychologists, and music stars. The poet is too often overlooked. Poetry is emotions, yes?. Yet, Samantha Beardon couples insight, truth, and emotion in “Caught In Passion”. Not a text book nor the Notebook, Caught In Passion a journey thorough
friendship,
romance and love,
desire,
beliefs, loving the self, relationship stumbling blocks,
love lost
(also the sections in her book) with the mind of a philosopher and the passion of the poet. Will this book make you think? Yes. Will it make you feel? Yes. Will you see yourself on many pages. Yes. What’s wrong with that? Isn’t that exactly why you read? Read this book. As the title of the review says, I was caught up in the passion of Samantha’s ‘Caught In Passion’.

The Power of Words

Oratory makes power
The power of words
An eloquence of speech
Combined with fluency of ideas
Charisma confounds rhetoric
Or expands it
into a force for good or ill
Oratory moves mountains
Moves the masses
There is a power to words
Declamatory speeches
laced with anaphora
Sing to the soul
Words written on the page
Erudite compelling full of truisms
Words of power but which rendition
The eloquence of oration or
the seductiveness of written word?
Which wields the greatest power?
Or is all equal with the power of words?

Samantha Beardon c.